Sounds matter

Just like words, sounds are important. I’ve always cared about them. Sound quality has been a ‘must’ for me ever since I discovered hi-fi. I’m not an expert audiophile, nor am I a sound technician or sound engineer. But I have developed a certain ear and a certain sensitivity to the quality of the sound source. I haven’t listened to a great many hi-fi components, nor have I tried out various guitar amplifiers or guitars themselves. But even so, if something’s not quite right, I can tell. Now, when it comes to the purity of an electric guitar’s sound, there’s plenty to discuss, given that we’re often using overdrive – that is, distortion – so a few things need clarifying. But the quality of the audio experience is important to me, yet I see that people are losing both the need for it and the ability to notice it. Even in the world of live music. Continue reading  

Compulsive Obsession

 

When you’re going through a particularly tough time in life, even simple objects can take on symbolic significance, serving as reminders of intense moments from the past. In my case, the hardest time was undoubtedly when I lost my job as a geologist. It coincided with my return to playing in a band. So, for me, getting back into playing, that very band I played with, and even the instruments I used are all symbols of that memory. Playing kept me afloat, it stopped me from losing my mind and, incidentally, it was also the means by which I found a new job later on, so there are certain things from that period that in some way symbolise my clinging on to hope and, ultimately, my recovery. Yes, even if it’s just a simple guitar effects pedal…

 

 

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Where the light is

It was a rather dark period in my life. Dark clouds were gathering on the horizon; the company I worked for was about to close down and I didn’t know what to do. On a day just like any other, as I was trying not to despair and telling myself that things would work out, my wife cheered me up by showing me a video of an American guitarist playing in front of thousands of people with his band. I was struck by how young he was (the video was from 2007, almost 10 years earlier, and he was certainly young at the time) but above all by the way he played: very well, of course, but he played the guitar (a Stratocaster, no less) in the ‘old-school’ style. In short, you could tell he was inspired by the greats of the past – Hendrix, Clapton, Steve Ray Vaughan – but he was good because he also brought his own style to it. And he had a great voice too – a singer-guitarist who also plays remarkable solos, just like in the old days. I was pleased that there was still a young man who played the guitar in this way. Many of you will have realised that I was talking about John Mayer… Continue reading  

Digital and guitar – not for me

Guitar effects pedals pile on Craiyon

On this website, you can find comparisons between digital and analog formats in both the Hi-Fi and Photography sections. Recently, I found myself facing this same dilemma when it comes to the guitar. Digital technology and computing are, of course, taking over every field. Even in cars (another section of this site), where screen size now counts more among the features to advertise than the type of suspension (and yet using your cell phone is prohibited). Generally, digital technology is supposed to simplify things for us, come to our aid, and allow us to do things we couldn’t do before. It used to be impossible for someone to call us while we were out and about. Are you sure it’s better today to receive work calls—or worse, aggressive marketing calls—no matter where we are? Sure, it’s nice to be able to call in an emergency; sometimes it’s vital. But in general, without discounting the life-saving cases, digital technology rushes us, overwhelms us with choices, and ends up making us enjoy things less (think choosing a movie or series on a streaming platform). And what about the guitar?

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Tube scream or not tube scream…?

That is the question!
My love-hate relationship with the famous green pedal…

It took me a while to appreciate it, but I finally got there. That’s normal—there are legions of fans and critics of the Tube Screamer, the iconic pedal created by Ibanez in 1979 and made famous by countless professionals and guitar stars. Like most guitar effects, its effectiveness depends (heavily) on the amplifier. A pedal like the Tube Screamer can sound amazing on some amps and terrible on others. And that can be misleading, making you think the pedal is the problem. Instead, it’s all about pairing. In fact, in my ignorance, I initially found myself among the detractors, but then something changed…

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How could this happen?

If I were to describe my journey as a guitarist (obviously a very amateur one, of course), I would have to start with my youthful passion for the Italian band The Pooh. Yes, The Pooh, that’s right., the name comes from the famous cartoon… But what do the Pooh have in common with blues-rock, with Hendrix, Clapton, and the likes of John Mayer, which I am currently covering? How did I go from Italian melodies to playing the John Mayer Trio’s production? Well, it may seem surprising at first glance, but there is a connection. First of all, it should be emphasized that these are four musicians of the highest caliber. One might think, okay, you’ve grown up and your tastes have changed. But that’s not really the case. It may seem strange, but there is a consistency, a logical thread that can be found…

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