I have no idea how this happened to me too, but I even made it to 60 in no time. It feels weird just writing about it here. A remarkable age, in the sense that years are not few and in some ways you can feel it; in other ways I don’t really feel it. Could it be that I continue to strum happily? I think so, for that reason too. And perhaps because I still nourish dreams, the salt of life. Since I was very young, I have always dreamed of having a Fender Stratocaster. As is the case for many, my guitar idol used one and that’s how I got to know the famous electric guitar model born in California in the 1950s. The first Stratocaster I ever had was a rather cheap imitation, a gift from my parents when I turned 15. It is still the most beautiful gift I have ever received. You never forget your first guitar, and although it was in bad shape, made of low-quality materials, except for the excellent Di Marzio pick-ups, I have fond memories of it and I curse the day I gave it away.
But am I even capable of appreciating the differences between various phono cartridges?
Here I go again. I had already written an article about the same excitement, on the wave of enthusiasm after the purchase of a new Grado Prestige Blue 3. I was delighted to be back listening to records with a Grado cartridge, not least because I love their philosophy of doing business and their history; their cartridges are still hand-assembled in a Brooklyn workshop using 50-70s instruments and watchmaker’s tools. The reality is that I came to resell the Blue 3 because, sadly, I just didn’t like the sound of it. Did I set it up wrong? But my Shure M97HE sounds great. Had something changed in my taste? Was my memory of a nice Grado sound linked to the use of the prestigious 8MZ stylus that I then stupidly damaged? Or am I unable to discern?
Campi Flegrei | A new study reveals the architecture of the magmatic system at the origin of the bradyseism
The architecture of the deep magmatic system of the Campi Flegrei has been defined to understand the dynamics of the sectors of the caldera, of fundamental importance for the assessment of the volcanic hazard of the area.
These are the results achieved by a multidisciplinary team of researchers from the Istituto Nazionale di Geofisica e Vulcanologia (INGV) in the study “New insights into the recent magma dynamics under Campi Flegrei caldera (Italy) from petrological and geochemical evidence”, just published in the journal AGU’s ‘Journal of Geophysical Research’: Solid Earth.
“Calderas are volcanic depressions formed by the collapse of the ground during huge eruptions”, explains Lucia Pappalardo, INGV researcher and author of the study. “They often manifest phases of ‘unrest’ (or ‘imbalance’), with frequent earthquakes, uplift of the ground (the so-called ‘bradyseism’) and a considerable flux of heat and gas. However, since this activity is due to the complex interactions between magma and the hydrothermal system stored under the volcano, it is always difficult to predict the evolution of these manifestations”.
The klon wars
The world is strange, people are crazy, and the extent to which this is true can sometimes be seen in market dynamics. I am by no means an economist, but as a buyer and sometimes seller of electronics, be it hi-fi or guitar electronics, I realise how sometimes it gets to the point of sheer madness. Now, allow the guitar that had once belonged to Jimi Hendrix, Eric Clapton or David Gilmour; the fetishism in this field can almost be understood, just as one can understand the desire of an enthusiast who also has considerable financial means to own an instrument that had once belonged to a music legend. Even if vintage guitars cost as much as a good new car of a certain level (indeed, vintage cars themselves can cost impressive sums of money), it’s fine… those who have so much money they don’t know what to do with it will invest in such purchases. But what I have seen happen within a few years before my eyes with a simple guitar pedal effect is surreal. Guitarists know what I’m talking about, others don’t (but who’s going to read me anyway): meet the Klon Centaur!
Now we’re talking…
Era un bel pomeriggio di sole del 31 ottobre 2023. Dopo pranzo mia moglie ha accompagnato me e nostro figlio alla stazioncina ferroviaria semi abbandonata da dove sarebbe partito il treno leggero che ci avrebbe portati nella cittadina dove avrei completato il passaggio di proprietà della mia “nuova” auto. In realtà l’auto ha 2 anni in più di quella che va a rimpiazzare. Ma è di categoria superiore ed è una di quelle scelte che si fanno quando a un certo punto decidi che si vive una volta sola e che certe soddisfazioni te le meriti pure. La tranquilla attesa al bar con mio figlio è benvenuta, aiuta a pregustare l’evento, una cosa che ormai pensavo sarebbe stata difficile da realizzare. Invece alcune vicissitudini hanno voluto che potessi (o forse dovessi) prendere in considerazione di comprare un’altra auto. Ho scoperto che potevo di nuovo accedere ad un piccolo credito ed ho trovato l’auto che desideravo. Dopo circa 3 anni una nuova Papalfa sarebbe entrata in famiglia..
Papalfa 2.0? Alfa Romeo and me
My relationship with Alfa Romeo began when I was a child born in the mid-1960s when it was customary to play with toy cars and imitate “grown-ups” driving a car. I do not consider myself a real car enthusiast in the strict sense and I have not had many Alfa’s, in fact, only one so far. But from an early age I was fond of the legendary Alfa Romeo models of my childhood. I was enchanted by the cars around town, I would ask my father what model they were and which one was the best. I still remember that back then my father thought that the Alfa Romeo Giulia was the best car in those days. And that was my imprinting. The Giulia was the car of the police force and bad guys. The “cop” movies of the time were full of chases between Alfa Romeos. Their performance, the road holding in particular, was legendary.