{"id":6301,"date":"2015-02-23T11:36:28","date_gmt":"2015-02-23T10:36:28","guid":{"rendered":"http:\/\/www.aikidoromanord.org\/?page_id=1019"},"modified":"2015-02-23T11:36:28","modified_gmt":"2015-02-23T10:36:28","slug":"lo-stile-di-aikido-che-pratichiamo","status":"publish","type":"page","link":"https:\/\/www.pasqualerobustini.com\/en\/aikido\/stile\/lo-stile-di-aikido-che-pratichiamo\/","title":{"rendered":"Lo stile di Aikido che pratichiamo"},"content":{"rendered":"<p><a href=\"http:\/\/www.aikidoromanord.org\/wp-content\/uploads\/2014\/10\/logo.jpg\"><img class=\"alignleft  wp-image-905\" src=\"http:\/\/www.aikidoromanord.org\/wp-content\/uploads\/2014\/10\/logo.jpg\" alt=\"logo\" width=\"138\" height=\"142\" \/><\/a><strong>The Aikido style we practice<\/strong><\/p>\n<p>Different Aikido interpretation and educational systems do exist. Aikido is taught in many different ways. At our dojo, we refer to the Aikido World Headquarters in Tokyo, the\u00a0<a href=\"http:\/\/www.aikikai.or.jp\/eng\/\" target=\"_blank\" rel=\"noopener noreferrer\">Hombu Dojo<\/a>,\u00a0founded by\u00a0Morihei Ueshiba in\u00a01940.<\/p>\n<p><a href=\"http:\/\/www.aikidoromanord.org\/wp-content\/uploads\/2014\/12\/seigo-yamaguchi-at-hombu-dojo.jpg\"><img class=\"alignright  wp-image-885\" src=\"http:\/\/www.aikidoromanord.org\/wp-content\/uploads\/2014\/12\/seigo-yamaguchi-at-hombu-dojo.jpg\" alt=\"seigo-yamaguchi-at-hombu-dojo\" width=\"185\" height=\"272\" \/><\/a>In 1964, the Hombu Dojo sent Hiroshi Tada to Rome, where he founded the Italian Aikikai. But since the early 50s there already was an Aikido movement in Italy, when prof. Salvatore Merg\u00e9, judoka and teacher at the Eastern Institute of Rome, returned from Japan after having studied Aikido under Morihei Ueshiba. Motokage Kawamukai arrived in Rome after a while. He came from New York, where he had started the local Aikikai that Yoshimitsu Yamada took in his hands. Kawamukai himself wrote to Tokyo asking for an official representative, but from nearby France Tadashi Abe and Nobuyoshi Tamura\u00a0had already visited Italy\u00a0for\u00a0some Aikido seminars. Morihiro Saito\u2019s Iwama school also had a number of followers, led at the times by Takeji Tomita. Other great Japanese masters had a fundamental role in spreading Aikido in Italy, among which Hirokazu Kobayashi, Hideki Hosokawa and Yoji Fujimoto.\u00a0In the 90s, the technical influence of the French federation\u00a0<a href=\"http:\/\/www.aikido.com.fr\/\" target=\"_blank\" rel=\"noopener noreferrer\">FFAAA<\/a>\u00a0headed by\u00a0<a href=\"http:\/\/en.wikipedia.org\/wiki\/Christian_Tissier\" target=\"_blank\" rel=\"noopener noreferrer\">Christian Tissier<\/a>\u00a0made its way in many dojos of the Italian peninsula. The main inspiration of this teaching style come from different freanch masters who followed the Aikido genious of <a title=\"Seigo Yamaguchi\" href=\"http:\/\/www.aikidoromanord.org\/insegnante\/seigo-yamaguchi\/?lang=en\" target=\"_blank\" rel=\"noopener noreferrer\">Seigo Yamaguchi<\/a> (top right).\u00a0His fluid and tensionless Aikido is pretty different from what many other direct students of the founder did. Maybe this is because Yamaguchi distrusted imitations and believed in everyone\u2019s freedom of searching his\/her own Aikido. This is maybe the hardest thing to do or teach.<\/p>\n<p><strong>At\u00a0Katsu Dojo<\/strong><\/p>\n<p><img class=\"alignleft  wp-image-887\" src=\"http:\/\/www.aikidoromanord.org\/wp-content\/uploads\/2014\/12\/philippe-gouttard.jpg\" alt=\"philippe-gouttard\" width=\"175\" height=\"271\" \/>At\u00a0Katsu Dojo the training is inspired to suggestions from\u00a0<a title=\"Philippe Gouttard\" href=\"http:\/\/www.aikidoromanord.org\/insegnante\/philippe-gouttard\/\" target=\"_blank\" rel=\"noopener noreferrer\">Philippe Gouttard<\/a>\u00a0of\u00a0FFAAA.<\/p>\n<p>His techniques are performed according to the natural movements the human joints are designed to perform. This ensures the partner\u2019s safety as well as the healthy\u00a0development of the human joints through the exercise, so that they remain functional during time. The correct posture is paramount, starting from the position of the feet, from the way our knees work, so often forgotten and therefore damaged by apparently subtle and insignificant mistakes. This is a very intense, hard work, since it reaches for everyone\u2019s physical and psychological limit. This Aikido is a practice to stay young longer, to learn how to breathe, how to use our\u00a0bodies in a smarter way, to learn how to face our own fears.<\/p>\n<p>The exercise on the mat is designed to put the trainees in front of hardship but at the same time teaching how to get around it with no harm. The odds on the mat are an allegory of life, so are the techniques to overcome them. To achieve this we need to put passion, grit, feeeling, intensity into our\u00a0practice, otherwise it becomes\u00a0a futile drill. This is not to be confused with aggressivity, rage, physical power \u2013 but a \u201clifeless\u201d technique has no meaning. The analogy between Aikido and real life is fundamental for the practitioner\u2019s growth, at any age. The techniques are nothing but a means to obtaining that. They must not become the goal to be achieved, a mere formal perfection. Devoided of their own spirit, Aikido\u00a0techniques are woth nothing.<\/p>\n<p>&lt; <a title=\"Stile\" href=\"http:\/\/www.aikidoromanord.org\/stile\/?lang=en\">Back to main page<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>The Aikido style we practice Different Aikido interpretation and educational systems do exist. Aikido is taught in many different ways. At our dojo, we refer to the Aikido World Headquarters in Tokyo, the\u00a0Hombu Dojo,\u00a0founded by\u00a0Morihei Ueshiba in\u00a01940. In 1964, the Hombu Dojo sent Hiroshi Tada to Rome, where he founded the Italian Aikikai. But since [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":6297,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.pasqualerobustini.com\/en\/wp-json\/wp\/v2\/pages\/6301"}],"collection":[{"href":"https:\/\/www.pasqualerobustini.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.pasqualerobustini.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.pasqualerobustini.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pasqualerobustini.com\/en\/wp-json\/wp\/v2\/comments?post=6301"}],"version-history":[{"count":0,"href":"https:\/\/www.pasqualerobustini.com\/en\/wp-json\/wp\/v2\/pages\/6301\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/www.pasqualerobustini.com\/en\/wp-json\/wp\/v2\/pages\/6297"}],"wp:attachment":[{"href":"https:\/\/www.pasqualerobustini.com\/en\/wp-json\/wp\/v2\/media?parent=6301"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}